Time tracking is also essential to solve another challenge that faces today's agencies: overbooked schedules. Manual and automated timesheet reminders can help teammates track their time more accurately. With time tracking software, teams can fill in digital timesheets with an estimation based on their work schedule, so that each team member can simply confirm or update the actual time taken on each task before logging their hours. These days, teams have turned to digital solutions to help them track and manage their time. In fact, more than half of the team members who responded to the survey said they couldn't easily recall what they worked on, leading 41% of them to simply guess how long they had spent on each task. As the Float report found, the longer an employee leaves their time log unfilled, the more inaccurate it becomes. If a team member forgot to fill out a timesheet, they were left guessing as to how long they spent working on a task. In the past, keeping a time log was a manual process that required teams to fill out timesheets. ![]() We know what you might be thinking, but, rest assured, time logs don't look like they used to! Time logs keep accurate records of your team's time so that you can see how efficient they have been on a project, and are then able to optimize each team member’s workload based on that data. If you want to know how long one of your team members worked on a task, a time log is a quick, effective way to keep track. In turn, you get more accurate data on how long your team members spend working on specific project tasks, you can forecast more accurate project timelines, and you can plan your team’s time more effectively.Ī time log is a record that details a person's activities with a time stamp. At its simplest, all it takes to keep a time log is an employee writing down how long a task takes them to complete. Why the disconnect? After all, keeping track of time isn't rocket science. In Float's Global Agency Productivity Report 2020, 68% of agencies said they required their team to track their time, yet 43% of employees rated that process as "below average". However, without the right time tracking system in place, that’s easier said than done. Keeping time logs is a great way to track your agency's overall productivity levels, and see how close (or not) your project estimates match up with your project actuals. ![]() ![]() If you are paying your creatives per hour, it's even more prudent to know how long it took your team to complete each task. Has your agency ever completed a project for a client and wondered how much time it actually took your team to get it done? □
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Cocktail attire will always be a favoured choice thanks to its playfulness you really never know how people will interpret it which is jovial in itself. Tonal dressing has also really been highlighted of late, as has the exploration of colour, pattern and fit. It’s encouraging to see men venture out of their comfort zones and consider different iterations of the standard dress suit, tie, shirt combination. Personally, I believe we’ve seen a drastic shift in the way the Cocktail attire has been perceived – and executed – over the last few years. Williams boots can also suit the occasion (like an afternoon wedding) and are the ideal solution if you must travel for the event, transitioning easily from the airport to evening wear and into the following day. Loafers are a great alternative to dress shoes, which can be worn any season of the year. Crockett & Jones Cavendish Loafer in Scotch Grain adds some texture to a classic style (Image Credit: Rose & Born) We’d reserve the patent Oxfords for a formal occasion, and white sneakers just don’t have a place for Cocktail affairs. The final element of your Cocktail attire, your footwear go-to should, ideally, represent a classic pair of dress shoes, be it in the design of an Oxford, Derby lace, brogue or loafer. RELATED: The 13 Best Watches Under $5,000 You Can Buy In 2023 The Shoes Just remember to keep the design and fold conservative. Pocket squares can also add a stylish yet subtle touch to all dress codes, be it with or without a tie. Semi-formal but fully fabulous cocktail attire weddings present the perfect opportunity to wear what suits you best, from sleek, satin maxi dresses to flirty, flouncy mini dresses to (yes, even) jumpsuits and separates. In their place, ‘dressing up’ was considered the norm, and though statistically speaking, the average man probably owned less clothes than he does in 2023, it would be natural for his daily wardrobe to consist in essentials like two suits (one in charcoal, the other in navy), a few pairs of dark dress shoes, and a couple of accessories – all worn with greater frequency.Ī post shared by Trunk Tailors on at 5:29pm PST (Image Credit: Michael Ochs Archives // Getty Images) Pictured: Jazz musician Miles Davis on-stage in West Germany, circa 1959. During that period (broadly speaking) the global supply chain that now provides us with affordable, mass-manufactured clothing was still in its infancy: so casual sportswear staples like t shirts, sweats and denim were not worn with the same frequency as they are today. In its most elementary form, the way we wear cocktail attire today has been influenced by the 40-decade interlude between ‘The Roaring Twenties’ and the 1960s. RELATED: 10 Of The Best Tailors And Custom Suit Shops In Sydney For 2023Ī Brief History Of The Cocktail Dress Code But remember, this is a dress code usually reserved for occasions like weddings, celebrations. For answers to all of these queries (and more) read on through our 2023 guide to the cocktail dress code… What is the cocktail attire dress code Essentially, cocktail attire means you need to wear a suit. ![]() Rip It is a brand of energy drink that is known for its high caffeine content and affordability, often marketed towards general consumers. However, Rip It is not specifically marketed or positioned as a pre-workout supplement. Here is a detailed video on the possible side effects of energy drinks if consumed too much. Surpassing limits will cause more harm than good. The energy drink will only be harmful if you are not careful about your consumption.Įnergy drinks are beneficial to a certain extent. If you’re not drinking too many cans of Rip It, the drink isn’t bad for you. Rip It energy drink is not bad for you if you drink it in moderation. For best results and impact, drink a can of Rip It now and then for better focus and concentration, rather than drinking it too often. Energy drinks enhance your performance but consumed often cause more negative side effects than any good. ![]() I’d say Rip It or any energy drink work the best if consumed now and then. ![]() Both the caffeine and sugar will work together in giving you an excellent boost of energy, including an enhanced focus and concentration. ![]() Rip It has 160mg of caffeine and 26g sugar in it. Keep in mind the calorie intake differs from person to person based on their physical activity, metabolism, or gender.Įven if you consume 2,000 calories in a day, 100 calories for Rip It isn’t crazy or too much. The recommended daily calorie intake is 2,500-2,000 calories for men and women. In terms of regular cans, I’d say 100 calories isn’t groundbreaking. However, the brand claims that the shot bottles contain no calories at all. The classic “Active Mandarin Live Wild Lime” comes in a sugar-free version too. But that shouldn’t be a problem for people who want a boost of energy without sacrificing sugar. Keep in mind the sugar-free version is only available in cans.
As the involved rock volumes/masses increase, the complexity of conducting field-test experiments to build up rockfall databases increases to a point where such experiments become impracticable. Additionally, such rockfall data can serve as a base for assessing the model’s sensitivity to different parameters, evaluating their predictability and helping calibrate the model’s parameters from back calculation and analyses. As no model is perfect, their development is often accompanied and validated by the valuable collection of rockfall databases covering a range of site geometries, rock masses, velocities, and related energies that the models are designed for. Process-based rockfall simulation models attempt to better emulate rockfall dynamics to different degrees. Growth in knowledge about this most elementary yet often overlooked level of foliage clumping in canopies shall improve coniferous forest 3D radiative transfer modeling. The demonstrated effectiveness and performance of the blue light 3D photogrammetry scanning method shall lead to more frequent actual measurements of 3D shoot structures. The needle-to-shoot area ratio values were similar to those measured using the traditional combined photographic/volume displacement method. Karst.)-collected from trees in the Järvselja RAdiation transfer Model Intercomparison (RAMI) pine stand in Estonia. We used shoots of two species-Scots pine (Pinus sylvestris L.) and Norway spruce (Picea abies L. ![]() We validate the approach by comparing it to the combined photographic/volume displacement method-an established methodology for quantifying shoot-level clumping. We introduce blue light 3D photogrammetry scanning as a highly efficient technique for estimating shoot-level clumping, which significantly reduces the labor intensity aspect of the previous approaches. Previous methods for estimating the needle-to-shoot-area ratio have had in common destructive and/or highly labor-intensive aspects. Clumping of needles in shoots in conifer stands has posed a challenge because optical instruments have generally been incapable of measuring gaps between needles within a shoot. Clumping information is important for determining the radiation transfer through canopies, photosynthesis, and hydrological processes.
![]() ![]() Most new TV models have a ratio of 16:9 (widescreen format, twice as long as the height,) which better showcases the effect of HD technology at its best. For example:Ī vintage TV or computer display has an almost 1:1 square ratio (1.33:11 actually,) which means that what you see in the screen is smaller than what the original aspect ratio, or the edges have been cut off so the image can fit the screen. You’ll be glad to know that you can find several examples of these rations in photography, films and in many of the objects around you. But there are seven common aspect ratios every photographer should know. Technically-speaking there is an unlimited number of aspect ratios. What is the ratio for each? Each image is a rectangle with a 2:1 ratio–even though the width and height are different for each. The images are different sizes, but they have same aspect ratio.Ĭonsider another example. Also, an image that is 500 x 500 pixels has the same 1:1 ratio. As an example, a square format image that is 1,000 x 1000 pixels would have a different aspect ratio of 1:1. It is important to know that an image ratio is not the actual size, in pixels or inches, of the image. ![]() So, an image that is three times as wide as it is tall will have a 3:1 ratio. And the width is always the first number, followed by the height. Most often, you’ll see a ratio separated by a colon (:) between the two numbers. It essentially describes the shape of your image. Remember the term ratio from middle school math? You should recall that a ratio represents the relationship between two numbers.Īlso known as aspect definition, this concept is the relationship between the width and height of a photo. What do these numbers mean? And how can they make a difference in your digital photography? Answering these and other key questions will help you improve your composition and make you a much better photographer. Chances are, you’ve seen numbers representing common aspect ratios, including: Aspect ratio a fundamental digital photography concept that can be quite confusing at first. Have you found yourself wondering: What the heck is aspect ratio? ![]() ![]() In Spanish Preterite Tense, the 3 regular patterns are for verbs ending in ar, er, and ir. (I was taking a bath when you called.) However, you do not necessarily need an interruption in order to describe past ongoing actions. A verb which does not follow these patterns exactly is called an irregular verb. In Spanish, when we have a similar situation, we use the imperfect tense for the ongoing action and the preterite for the interrupting one: Me estaba baando cuando llamaste. We have contrasted two claims about the present and historical habits to show this. Note that in the imperfect tense of -ar verbs, the only accent is on the. The following table shows the imperfect tense of one regular -ar verb: hablar (meaning to speak). Even the present tense and imperfect use the same time expressions. To form the imperfect of any regular -ar verb, you take off the -ar ending of the infinitive to form the stem and add the endings: -aba, -abas, -aba, -bamos, -abais, -aban. Irregular VerbsĪ verb is called a regular verb when its conjugation follows a typical pattern. The imperfect tense in Spanish is formed by adding the following endings to the verb stem: For -AR verbs use these endings:-aba -ábamos - abas - abais - aba - aban For -ER and -IR verbs use these endings:-ía -íamos-ías -íais-ía -ían Meaning and Usage The imperfect tense is used to talk about an ongoing action in the past. The imperfect tense in Spanish is used to describe past instances of habits or routines in the same way that the present tense is used to describe actions that are currently taking place. The imperfect tense is rarely irregular and can be easily conjugated from this form, which is the yo, and él/ella conjugation. Stem: Take the infinitive, and remove the last two letters (the infinitive ending): Irregular verbs. The present perfect tense is formed by combining the auxiliary verb haber with the participio. Haber appears on the 100 Most Used Spanish Preterite Tense Verbs Poster as the 3rd most used irregular verb.įor the present tense conjugation, go to Haber Conjugation - Present Tense. Although the equivalent verb form is rare in English, the imperfect subjunctive is an essential part of Spanish grammar. Haber is conjugated as an irregular verb in the preterite tense. The imperfect subjunctive of Spanish is the simple past form of the subjunctive mood, the one used to refer to events or hypothesized events relating to the past (although it sometimes refers to the present). If you want to learn more about OpenCV and Python I would recommend reading OpenCV with Python Blueprints by M. You need to move the window in order to see both images: By default, the last image (the gray one) will be over the first one. You should see something like in the next figure. (You can close the two windows by pressing ESC!) imshow ( "Over the Clouds - gray", gray ) 11 12 cv2. imshow ( "Over the Clouds", img ) 10 cv2. In the same folder where you’ve saved the above image, create a new file demo.py and write the next code: 1 import cv2 2 3 print ( "OpenCV version:" ) 4 print ( cv2. We can write a small test program that will print the OpenCV version, load an image from the disk, convert the image to gray and show the result. Please note that the above will install the slightly older OpenCV 4.1, latest binary version doesn’t seem to work on macOS Catalina!Īs a side note, when you are in a new environment you can use python to invoke the Python interpreter, no need to use the version number.Īt this point, you should have OpenCV 4 and Python installed on your Mac. We can install NumPy and OpenCV with: 1 pip install numpy 2 pip install opencv-python=4.1.2.30 If you want to be able to use it, use the source work/bin/activate command. By default, if you close your Terminal, the environment is deactivated. Once an environment is activated, all the install commands will apply only to the current environment. You can read more about Python environments in the documentation. Next, let’s follow best practices and create a new Python environment in which we can install NumPy and OpenCV: 1 python3.8 -m venv work 2 source work/bin/activateĪt this point, your prompt should indicate that you are using the work environment. This is what I see if I run python3.8 on my machine: 1 % python3.8Ģ Python 3.8.1 (v3.8.1:1b293b6006, Dec 18 2019, 14:08:53) 3 on darwin 4 Type "help", "copyright", "credits" or "license" for more information. python3 will also invoke the latest installer version of Python 3. If this is the case, you can select which version you want to use by specifying the version number, e.g.: 1 python3.7Īfter the above, you can invoke Python 3.8 using the python3.8 command. You can also check the video version of this tutorial if you want to see how I did it.Īs a side note, you can have multiple Python 3 versions installed on your macOS machine. The official installer of Python is a pkg file that will start a GUI installer which will guide you through the installation. Once the Command Line Tools are installed, we can install Python. Open a Terminal and write: 1 xcode-select -install Please note, that you will need the Command Line Tools even if you’ve already installed Xcode. ![]() ![]() Start by installing the Command Line Tools for macOS. ![]() In this tutorial, we’ll use the Python 3.8. Python 3.x is the future and it is supported by all major Python libraries. MacOS comes by default with Python 2.7 which, at this point, receives only bug fixes and will be EOL by 2020. ![]() Permission on the zip files: The permission to read/ write on the zip files or directory of the file is yet another reason to generate the error. In this case, you can resolve this issue by downloading the file again either through the Terminal or without closing the downloading website. Owing to this, the user cannot extract the file even if it is present in the Download folder. When you are downloading files in a browser on Mac OS, it might be possible that the file might not be downloaded completely and correctly.Ī bad internet connection or inconsistency in the network can cause transfer errors and make the files unable to open. ![]() Incomplete Downloads: The damaged zip file is one of the significant reasons that trigger this error message. Various reasons make you unable to expand the zip file on Mac. Are You Unable To Expand Zip Files? Check the Reasons! The guide will take you through some of the common reasons that trigger this error, effective methods to get rid of this trouble quickly, and some tips to avoid this problem in the future. If you get stuck in such a situation, then look no further as you’ve landed on the right page. However, sometimes users are unable to expand a zip file owing to several reasons, including permissions on that file, incomplete downloads, size of the file, and more. ![]() When a user receives a zip file, he can easily access them by double-clicking the zipped file or folder. Since compressed files take less disk space, these are also useful for creating backup copies of your data. This format is generally used for emailing or sharing files over the web. When files are compressed into the zip format, their size gets reduced, making them easy to share. It can compress anything, be it photos, media, or documents. zip extension and contains a set of compressed files.Ĭompressing or zipping files is a convenient way of giving your computer some extra space when you are close to reaching its storage limit. Zip is one of the most commonly used formats for the compression of files. ![]() He has made numerous other appearances in that title, and other related titles, sometimes as a member of the team, sometimes as an ally, and sometimes as an antagonist.įrom 1991 to 1993 Quicksilver was a regular character in the first volume of X-Factor. The character initially appears as an antagonist to the X-Men, although before long he becomes a member of the Avengers and appears as a regular character in that title beginning with The Avengers #16 in May 1965. Quicksilver first appears in X-Men #4 (March 1964) and was created by writer Stan Lee and artist/co-writer Jack Kirby. Quicksilver as shown on the cover of Avengers vol. Peters later appeared as an imposter Pietro in the MCU television series WandaVision (2021), as a nod to his past role. Two separate live-action versions of Quicksilver have been adapted by two different film studios: Aaron Taylor-Johnson portrayed the character in the Marvel Cinematic Universe (MCU) franchise, appearing in Captain America: The Winter Soldier (2014) as a cameo and Avengers: Age of Ultron (2015) while Evan Peters portrayed him in the 20th Century Fox films X-Men: Days of Future Past (2014), X-Men: Apocalypse (2016) and Dark Phoenix (2019), as well as a cameo in Deadpool 2 (2018). The character has also appeared in a range of movie, television, and video game adaptations. He is the twin brother of the Scarlet Witch and, in most depictions, the son of Magneto and the half-brother of Polaris.ĭebuting in the Silver Age of comic books, Quicksilver has featured in several decades of Marvel continuity, starring in the self-titled series Quicksilver and as a regular team member in superhero title the Avengers. In later stories, he became a superhero himself. Quicksilver most commonly appears in fiction associated with the X-Men, having been introduced as an adversary for the superhero team. In comic book stories beginning in 2015, he is the product of genetic experimentation by the High Evolutionary. In most depictions, he is a mutant, a human born with innate superhuman powers. Quicksilver has the superhuman ability to move at great speeds. The character has since starred in two self-titled limited series and has historically been depicted as a regular team member in superhero title The Avengers. The character first appeared in the comic book The Uncanny X-Men #4 (March 1964) and was created by Stan Lee and Jack Kirby. Quicksilver ( Pietro Maximoff) is a fictional character appearing in American comic books published by Marvel Comics. Creation of high speed winds and tornadoes.Vast superhuman speed, stamina, reaction and reflexes. ![]() Instead of consisting of a single limb, it looks more like it was originally a three-pronged object, one of whose limbs has been removed. However, a subtle change in the object’s shape-roughening the concavity on the right side-completely changes the interpretation of the causal history of the object (bottom row). The shape in the top row appears to be a gently curved object consisting of a single trunk. 1).įigure 2 further illustrates the deep connection between shape representation and causal inference. Although Leyton’s framework is potentially powerful in capturing the visual representation of causal origin, it cannot explain differences in causal attribution for objects that are geometrically very similar ( Fig. Consequently, the presence of an extremum indicates that a force has acted on a shape and its direction indicates the direction of that force. These axes are defined by and extend into the curvature extrema along the contour (e.g., into the tips of the cookie or croissant in Fig. Specifically, forces that shape an object are thought to operate along local symmetry axes within the shape contour. He provided a framework in which simple shape features are interpreted in terms of causal attribution. Leyton 35, 36 was one of the first to suggest that this inference of causal origin plays a role in the visual perception of shape (also see ref. Somehow, by combining perceptual shape computations with experiences from our past, we are able to infer the causal origins of the two different kinds of concavity. The cookie is bitten while the croissant is bent. 1: despite the geometrical similarity of the 2D shapes, we readily assign different physical causes to their concavities. Consider, for example, the cookie and croissant in Fig. Here, however, we are interested in how shapes are perceived and represented depending on higher-level inferences about the causal origin of objects and their features. For example, to work out if an object is symmetrical, it is necessary to compare how corresponding object features co-vary relative to a symmetry axis, while factoring out other potential match locations 19, 20.Īlmost all work to date has focused on how perceptual organization depends on the geometrical properties of shapes, for example, when explaining how shapes are decomposed into parts 21, 22, 23 or how missing pieces of occluded or fragmented shapes are interpolated 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34. In order to make higher-level inferences about objects (e.g., identifying symmetry axes, identifying front and back ends, predicting likely physical weight, or parsing the object into functional parts, like the cup and handle of a mug), the brain must somehow pool and organize information from distant locations across the object into more global quantities-a process known as perceptual organization 17, 18. It is clear that there is much more to shape perception than making local judgments about surface structure. To make matters worse, inferring the geometrical properties of local surface patches-such as their depth, orientation or curvature-is only the start of the shape-inference process. ![]() However, estimating and representing object shape from the retinal image is far from trivial 1, 3, 4, 12, 13, 14, 15, 16. Shape perception is crucial for many tasks including object recognition 1, 2, 3, 4, guiding reaching and handling actions 5, 6, 7, 8, and making other high-level inferences about object properties, such as whether an object is physically stable or likely to topple over 9, 10, 11. One of the most important functions of vision is to infer and represent the shape of objects. Objects are not only parsed according to what features they have, but also to how or why they have those features. The findings suggest that visual shape representations are more sophisticated than previously appreciated. This suppression of bitten regions was also found when observers were not asked about symmetry axes but about the perceived front and back of objects. However, when objects appeared ‘bitten’-as if parts had been removed by a distinct causal process-the responses deviated significantly from the geometrical axes, as if the bitten regions were suppressed from the computation of symmetry. When objects appeared ‘complete’-created entirely by a single generative process-responses closely approximated the object’s geometrical axes. Observers placed dots on objects to report their perceived symmetry axes. ![]() Here, however, we find that shape representations are also profoundly influenced by an object’s causal origins: the processes in its past that formed it. Most theories of shape perception focus exclusively on geometrical computations (e.g., curvatures, symmetries, axis structure). One of the main functions of vision is to represent object shape. |